Wednesday, 4 March 2020

GENERAL CONVENTIONS – MEDIA LANGUAGE

This blog post covers:

  • The use of sound in a film opening
  • The first shot in a film opening
  • The central protagonist and narrative
  • The mise-en-scene
  • The transition to the main film
  • Examples in specific film openings

SOUND
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1st SHOT

A lot of exposition is shown through the first shot, yet there is still narrative enigma.  The mise-en-scene provides the exposition of the characters, typically the protagonist.  The protagonist usually isn't shown completely to leave that narrative enigma and suspense.  When a movie shows the character immediately, it takes away from the suspense.  A common example of the first shots are Hand of God.  This means that it goes from a ELS to a LS all the way to a CU.  This usually occurs as a town, to a road, to a house, to in a specific window.  It shows that the character is just like anyone else and that the specific story line could have happened to anyone.  I looked at Bridget Jones's Diary (Maguire, 2001), About a Boy (Chris and Paul Weitz, 2002) and Hot Fuzz (Wright, 2007).
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CENTRAL PROTAGONIST AND NARRATIVE
MISE-EN-SCENE
TRANSITIONING TO MAIN FILM
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FILM OPENING EG

THE BROTHERS GRIMSBY
  • Expect to see multiple film idents - film industry is risky so co-production spreads risks - see distributor ident as well as production company idents
  • Low budget end - often see TV channel idents (BBC etc.) - also possibly see UK film council (now called BFI - British Film Institute)
  • Working Title - subsidiary of vertically integrated Big 5 conglomerate NBC Universal - not as important (junior company) as conglomerate so last in series to appear and audio bridge to movie or not used at all
  • Working Title - first look deal - therefore distributed by Columbia, Sony so no WT or NBC Universal ident is shown
Film Opening
  • Narrative enigma - don't know where it is set however can see faces
  • Very shallow field of focus
  • Big close up
  • Very thick and wide sideburns - working class - possibly connoting comedy genre
  • Slightly long and unkempt hair 
  • Gold chain
  • Man more in frame than woman signifies him as protagonist (he's also on top)
  • 2 shot
  • Red filter connoting set in past or porn
  • Further exposition through mise-en-scene
  • England football team large tattoo on back - big fan - association with working class
  • Football jersey in shot
  • Can of lager - working class anchorage
  • Comedic genre pushed at start
  • Assumed bedroom - narrative enigma - actually in store
  • Sales - cheap beds
  • Rule of thirds
  • Girl covered - anchors man as protagonist
  • Single mums wearing shell-suits and smoking - stereotype of working class with father leaving
  • Contrasting with This is England
  • Graffiti and boarded up buildings
  • Didn't get much box office - too distinctively English for an American audience - had to change name from Grimsby to The Brothers Grimsby
  • Columbia Pictures Presents - distributors
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ABOUT A BOY
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  • Fade up
  • Audio bridge to first scene
  • Diegetic sound from tv 
  • Bird's eye view
  • Tracking shot
  • Protagonist - proppian archetypes
  • Rule of thirds
  • Narrative enigma - not showing protagonist's face
  • Intertextuality with tv show
  • Camera movement and zooming connoting tension
  • Anchored with tense music from tv show
  • Show foreshadowing events - most likely to be Jon Bon Jovi character connotes comedic genre 
  • Voice over - inner monologue
  • Non-diegetic sound - guitar strings
  • Red Bull signifies youth, not sophisticated
  • Tea cup with saucer - sophistication
  • Cigarettes - negative connotations - complex preferred reading
  • Campbell's hero's journey/monomyth - all narratives center on journey and progression of protagonist
  • Big book - intelligence, sophistication
  • Lower case bubble font block white - connoting comedic genre
  • Navy blue slacks, gry blue crew neck jumper, blue shirt, grey blue monochromatic mise-en-scene - conservative guy
  • Large collection of books and LPs, electric guitar, speakers - rebellious
HOT FUZZ
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  • WT2 - pseudo indie - not indie but low budget
  • Conventional first shot being outdoors but not in Hot Fuzz
  • Extreme long shot 
  • Giving some exposition
  • Rule of thirds - not concrete however light part is centered
  • Props in mise-en-scene creating verisimilitude - achieving sense of realism
  • Sound of sirens giving exposition 
  • Straight cut not fade in 
  • Boom sound sharply when sliding doors open - comedic genre
  • Diegetic sound of doors opening - often exaggerated sounds added in post production - in this case for comedic effect
  • Man in first shot walking fast connoting seriousness
  • Centred in rule of thirds - central protagonist
  • Very long walk and ominous sound in background to connote tension
  • Camera tracking in
  • In association with StudioCanal - not main distributor
  • In association with big talk productions - not main production company
  • Opening shot - 31 seconds long
  • Close up of serious and stern expression 
  • Comical when badge comes out 
  • Identical stern expression on badge
  • Disguise cut onto next shot
BRIDGET JONES'S DIARY
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  • Medium long shot
  • Central framing - rule of thirds - central protagonist
  • Black taxis - providing exposition in where it is set (London/South England)
  • Doesn't have hat or umbrella - provides exposition on her
  • Blonde and female - possible dumb blonde stereotype / male gaze
  • Tracking her - anchors her as protagonist and voice over
  • Ellipses to little southern English village - stereotypically nice (now normative)
  • Red telephone box to anchor where it's set 

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